The architecture of the building has a mixed of traditional Lao motifs and French Beaux Arts styles, and has been laid out in a double-cruciform shape with the entrance on one side of the lower crossbar. Above the entrance is a three-headed elephant sheltered by the sacred white parasol, the symbol of the Lao monarchy. The steps to the entrance are made of Italian marble. There are a variety of royal religious objects on display in the large entrance hall.
The front view of the palace
On the right of the entrance is the King's reception room, where busts of the Lao monarchy are displayed along with two large gilded and lacquered Ramayana screens, crafted by the local artisan Thit Tanh. The room's walls are covered with murals that depict scenes from traditional Lao lifestyles, painted in 1930 by a French artist, Alix de Fauntereau. Each of the walls is intended to be viewed at a different time of day, depending on the light that enters the windows on one side of the room, which matches the time the day depicted.
In the right front corner room of the Palace, which opens to the outside, is a collection of the palace's most prized art, including the Phra Bang, cast of a gold, silver and bronze alloy. This Buddha stands at 83 cm tall and weighs around 50 kg.
Layout of the palace
Legend has it that the statue was made around the 1st century in Sri Lanka and was later presented to the Khemer King Phaya Sirichantha, who then gave it to King Fa Ngum in 1359 as a Lao Buddhist leader. The Siamese twice took the image to Thailand in 1779 and 1827, but it was returned to Laos by King Mongkut in 1867. There are rumours that the one on display is a copy and the original is stored in Vientiane or Moscow. It is said the real one had gold leaf over the eyes and a hole drilled through one of its ankle
Also in the room are another Buddha, engraved with large elephant tusks, and three beautiful saew mâi khán (embroidered silk screens with religious imagery) that were crafted by the Queen.
On the left of the entrance hall, the secretary's reception room is filled with paintings, silver and china that have been presented to Laos as diplomatic gifts from Myanmar, Cambodia, Thailand, Poland, Hungary, Russia, Japan, Vietnam, China, Nepal, USA, Canada and Australia. These objects are grouped by "socialist" and "capitalist" countries.
The next room to the left was once the Queen's reception room. Large royal portraits of King Savang Vatthana, Queen Khamphoui and Crown Prince Vong Savang, painted by Russian artist Ilya Glazunov in 1967, are hung on the walls. Also displayed are friendship flags from China and Vietnam and replica's of sculpture from the National Museum, New Delhi.
The Haw Pha Bang
In the far rooms are the royal family's bedrooms and living quarters. The bedrooms have been preserved as they were in 1975 when the king departed. There is a dining hall and a room that contain royal seals and medals.